Episode 29: The Stranger’s Story

We ended Rosie’s last episode with Frank placing a story in the local paper seeking any info on the girls’ (Rosie and Daisy)’s mother, Camellia.

This week’s episode starts with someone reading that article.

Over coffee, someone reads the day’s paper and spots an article

which recalls a day 12 years ago

She makes a call

Half a world away, Lily and Daisy are looking through old papers and letters

When Lily receives a call

The stranger tells her story.

“12 years ago, I received a note . . .

The note: “Please take my girls somewhere safe! I can no longer protect them, and if I keep them with me, they will perish. When Daisy turns 18, give her this half of a photo. She’ll know what to do with it. God bless, Camellia.”

. . . I followed the instructions, gathered the girls, and fled, while their mother escaped by boat,

. . . dropped them somewhere where no one would ever find out who they were or where they came from

. . . and waited and watched until I was sure they were safe

. . . I kept watch on Daisy and, when she turned 18, I gave her half of the photo.

while the sranger drops a torn photo

Lily drops the phone, and takes Daisy’s hands

and then paints a picture of . . .

an island.

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Attention to detail – creating a sense of a complete world

Attention to detail has never been my strong suit. It always seems to hinder my mad rush forward.

But a world without detail, even a very little world, starts to feel as if it’s floating in space – unanchored to time or place. So, I’m trying to force myself to slow down enough to get detail into scenes.

Here’s the evolution of one scene – the stranger reading the newspaper article that Frank and Rosie were looking at in her last episode.

The starting shot is my “just the facts, Mam” attempt. I take the pink coach from Daisy and Rosie’s living room, put it on top of the wood tiles from Rosie’s room, sit the stranger on the coach, and give her the newspaper:

It doesn’t get any more bare bones than this. it serves its purpose to convey the necessary info, but communicates absolutely nothing else.

So, I decide to at least give it some sense of place. I grab one of my Barbie dining sets, give her a cup of coffee (and, yes, that is real coffee in there), and a cookie from one of my Our Generation sets, and try again.

In my opinion, this is significantly better. I have some sense now of time (looks like it’s over breakfast) and place (probably some cafe). I could have added more detail by photoshopping it into a cafe scene, but I actually think that might have distracted from the important details.

I haven’t started my shoot of Lily and Daisy’s room – that’s on the schedule for today – but I do have their room set up. Here’s a picture of the setup:

I tried to put everything I’d used before in the shots, including Lily’s letters and photos, Daisy’s photo album, and the torn photography. I put Lily’s slippers under the bed, and gave them each something to look at. I gave Lily a cat and, although you can’t see them, I put Daisy’s suitcases from the last episode up on top of the wardrobe.

Lily’s room is still pretty barren – she seems like the kind of person who would have pictures on the wall and little things on the window sill. I may try to get those elements in for the final shot, just to fill out her character. Or I may get impatient and just start snapping photos 🙂

Some of this emphasis on detail comes from reading through graphic novels and noticing how complete some of the worlds are, but much of it comes from the sheer delight I’m finding in setting up the amazing detail of the Our Generation accessories. Here’s just a sample of what that world looks like:

In addition to the big new detail – hello, Aasta doll from Supiadollz – there’s just a ton of elements in here. Aasta has both a pot and a laddle. Amy has a guitar, as well as her notebook and pencils (maybe not visible in the shot :)), and Strawberry has one of those chemistry models and a stuffed elephant. In the background are a cookie jar (with cookies you can take out) and a bottle of soda. And there’s actually stuff in the refrigerator and under the sink (which you also can’t see in this shot). After a few days of setting up this stuff, any shot without details just seems really really empty.

This week I’ll be working on the stranger’s story, and what she can tell to help Daisy and Lily find Camellia.

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