Episode 33: Back to the beginning

Camellia recalls the night she fled.

There had been a dance.

Camellia dances with the stranger, and then sees that Cado is watching

And then, when she realizes that Cado has left, she goes upstairs to find him . . .

and finds him holding Daisy, with a gun to his head.


As the late publication might suggest, I had a terrible time with this episode. I’d finished taking the photos with my original ending, and then felt like it was just too much – too much threatening of Daisy, and too much vilifying of Cado.

Here are those picture:

But, really, holding a gun on a toddler Disney Rapunzel? It’s just not right 🙂

So, we’ll go with this as the beginning, and, next time around, I’ll figure out a clearer way of moving towards it. And Camellia will shoulder a little more of the blame.

But, that’s it for the beginning. Now we’re on to the end.


Turning a photographic novel into a graphic novel

Looks like I’m playing around with the second version again, while I’m supposed to be finishing the first 🙂

But I had an idea I wanted to see the adventure in more of a graphic form. Fortunately, Photoshop (and, in this case, Photoshop Elements) has some cool filters for quickly transforming photos into sketches and paintings.

Here is the original of the last panel of Camellia’s open ocean episode:

. . . dwarfed by the vastness of the ocean.

You can make some changes with Photoshop, but I find it more difficult to navigate for this kind of thing, and its painting filters are pretty limited. So, instead, I mostly use PhotoshopElements. Open the photo in Expert mode, and click on the FX tab. You’ll see a list of 50 or so filters. Here are the effects of the ones that turn the photo into a graphic:

Oil painting

. . . dwarfed by the vastness of the ocean.

Oil pastel

. . . dwarfed by the vastness of the ocean.

Pencil sketch

. . . dwarfed by the vastness of the ocean.


. . . dwarfed by the vastness of the ocean.

I ended up really liking the second one – the Oil Pastel filter. It retains the detail of the original, but gives it a kind of dreamy quality.

I don’t think I’ll turn the whole novel into a painting, but it’s possible that I’ll play around with Camellia’s early episodes.